Perhaps we now know which films to look out for in the future, according to Variety:
“Push: Based on the Novel by Sapphire,” director Lee Daniels’ unflinching look at the parental abuse and self-redemption of a teenage girl in 1980s Harlem, was the big winner at the 2009 Sundance Film Festival, taking both the grand jury prize and the audience award in the U.S. dramatic competition.
On the World Cinema side, Sebastian Silva’s Chilean feature “The Maid” (La Nana), a comedy-drama about class conflict within a household, took the grand jury prize, while Lone Scherfig’s British entry “An Education,” a spirited account of a 16-year-old girl’s accelerated maturation in early ’60s London, speared the audience award.
Sundance always places equal emphasis on its documentary categories, and the grand jury prize winner in the U.S. competition was Ondi Timoner’s “We Live in Public,” a revelatory look at Internet pioneer Josh Harris centered on his bizarre millennial art project in New York City. World Cinema docu grand jury prize was given to Kim Longinotto’s “Rough Aunties” from the U.K., which focuses on a group of women who look after abused and neglected children in South Africa.
Audience award for an American documentary was voted to Louie Psihoyos’ “The Cove,” a trenchant expose of upsetting developments in waters devoted to dolphins in Japan. World Cinema docu audience choice was Havana Marking’s “Afghan Star” from Afghanistan and the U.K., which looks at four contestants on an “American Idol”-style musical TV show in a country where participation in such a program, especially for women, is a life-threatening proposition. Marking also won the directing award for an international documentary.
Copping the directing award for an American dramatic film was Cary Joji Fukunaga for “Sin nombre,” which follows Central American immigrants as they make their way through Mexico. Adriano Goldman was singled out for an excellence in cinematography award for the same film by the jury. World Cinema cinematography honors went to John De Borman for “An Education.”
World Cinema directing nod was made to Oliver Hirschbiegel for his study of Irish conflict, “Five Minutes of Heaven,” for which Guy Hibbert was singled out for the screenwriting award.
Directing award for U.S. documentaries was bestowed on Natalia Almada for “El General,” about her controversial great-grandfather, President Plutarco Elias Calles of Mexico.
The Waldo Salt Screenwriting Award, given to the writer of an American dramatic feature, went to Nicholas Jasenovec and Charlyne Yi for “Paper Heart,” the story of the disbelieving Yi’s search for the true nature of love.
Documentary cinematography awards were extended, on the American side, to Bob Richman for “The September Issue,” R.J. Cutler’s account of the preparation of the 2007 issue of Vogue magazine, and, for an international docu, to director-lenser John Maringouin for “Big River Man,” about a Slovenian man’s endurance swim of the Amazon.
Editing awards for documentaries went, for a U.S. title, to Karen Schmeer for “Sergio,” about the Brazilian United Nations High Commissioner for Human Rights who was killed in Iraq, and, for a World Cinema entry, to Janus Billeskov Jansen and Thomas Papapetros for “Burma VJ,” about Burmese journalists who covertly shot and sent out footage of the 2007 protests.
The American competition jurors awarded three special jury prizes: for spirit of independence to Lynn Shelton’s “Humpday,” about two straight guys who decide to appear in a porn video together; for acting to Mo’Nique for her performance as the abusive mother in “Push”; and on the documentary side to director Jeff Stilson’s “Good Hair,” in which Chris Rock sizes up black hairstyles.
Three special jury prizes were also voted in the World Cinema competition: one for originality to Benoit Delepine and Gustave de Kervern’s French film “Louise-Michel,” about female factory workers who hire a hit man to kill the executve who ordered the plant’s closing; an acting prize to Catalina Saavedra for “The Maid,” and one to Ngawang Choephel’s “Tibet in Song,” about Tibetans’ effort to preserve their culture through music.
Presented on Saturday night at the Racquet Club, the awards were determined by four juries. U.S. dramatic competition jurors were Virginia Madsen, Scott McGehee, Maud Nadler, Mike White and Boaz Yakin, wile U.S. documentaries were judged by Patrick Creadon, Carl Deal, Andrea Meditch, Sam Pollard and Marina Zenovich.
World Cinema dramatic competition jurors were Colin Brown, Christine Jeffs and Vibeke Windelov, while serving on the docu side were Gillian Armstrong, Thom Powers and Hubert Sauper.
Jury prize for U.S. short went to Destin Daniel Cretton’s “Short Term 12.” International jury prize for shorts was won by Jonas Odell’s “Lies.”
Honorable mentions for shorts were given to Chema Garcia Ibarra’s “The attack of the robots from Nebula-5,” Brady Corbet’s “Protect You + Me,” PES’s “Western Spaghetti,” Julius Avery’s “Jerrycan,” Sam Taylor-Wood’s “Love You More,” Max Winston’s “I Live in the Woods,” Nadejda Koseva’s “Omelette” and Jason Eisener’s “Treevenge.”
Max Mayer’s U.S. dramatic competition entry “Adam” won the annual Alfred P. Sloan Prize, a $20,000 award for a film focusing on science or technology as a theme.
The previously announced 2009 Sundance Institute/NHK Intl. Filmmakers Awards, given to one filmmaker apiece from the United States, Japan, Europe and Latin American, were given at the ceremony to Diego Lerman, “Ciencias Morales” (Moral Sciences) from Argentina; David Riker, “The Girl,” from the U.S.; Qurata Kenji, “Speed Girl,” from Japan, and Lucile Hadzihalilovic, “Evolution,” from France.
Jane Lynch hosted the awards ceremony. Joseph Gordon-Levitt announced the U.S. audience awards, while Benjamin Bratt did the honors for the World Cinema favorites.
2009 Sundance Film Festival Award Winners:
GRAND JURY PRIZE: U.S. DOCUMENTARY We Live in Public, directed by Ondi Timoner
GRAND JURY PRIZE: U.S. DRAMATICPush: Based on the novel by Sapphire, directed by Lee Daniels and written by Damien Paul
WORLD CINEMA JURY PRIZE: DOCUMENTARY Rough Aunties, directed by Kim
Longinotto
WORLD CINEMA JURY PRIZE: DRAMATICThe Maid (La Nana), directed by Sebastián Silva
AUDIENCE AWARD presented by Honda: U.S. DOCUMENTARYThe Cove, directed by Louie Psihoyos
AUDIENCE AWARD presented by Honda: U.S. DRAMATIC Push: Based on the novel by
Sapphire, directed by Lee Daniels and written by Damien Paul
THE WORLD CINEMA AUDIENCE AWARD: DOCUMENTARYAfghan Star, directed by Havana Marking
THE WORLD CINEMA AUDIENCE AWARD: DRAMATIC An Education, directed by Lone Scherfig from a screenplay by Nick Hornby
DIRECTING AWARD: U.S. DOCUMENTARYEl General director Natalia Almada
DIRECTING AWARD: U.S. DRAMATIC Sin Nombre, written and directed by Cary Joji Fukunaga
THE WORLD CINEMA DIRECTING AWARD: DOCUMENTARYAfghan Star, directed by Havana Marking
WORLD CINEMA DIRECTING AWARD: DRAMATIC Five Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert
WALDO SALT SCREENWRITING AWARDNicholas Jasenovec and Charlyne Yi for Paper Heart
WORLD CINEMA SCREENWRITING AWARDFive Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert
U.S. DOCUMENTARY EDITING AWARDSergio. Directed by Greg Barker and edited by Karen Schmeer
WORLD CINEMA DOCUMENTARY EDITING AWARD Burma VJ. Directed by Anders Østergaard and edited by Janus Billeskov Jansen and Thomas Papapetros
EXCELLENCE IN CINEMATOGRAPHY AWARD: U.S. DOCUMENTARYThe September Issue, Cinematographer: Bob Richman
EXCELLENCE IN CINEMATOGRAPHY AWARD: U.S. DRAMATIC Sin Nombre, Cinematographer: Adriano Goldman.
WORLD CINEMA CINEMATOGRAPHY AWARD: DOCUMENTARY Big River Man, Cinematographer: John Maringouin
WORLD CINEMA CINEMATOGRAPHY AWARD: DRAMATIC An Education, Cinematographer: John De Borman.
A WORLD CINEMA SPECIAL JURY PRIZE FOR ORIGINALITYLouise-Michel, directed by Benoit Delépine and Gustave de Kervern
A WORLD CINEMA SPECIAL JURY PRIZE: DOCUMENTARYTibet in Song directed by Ngawang Choephel
A WORLD CINEMA SPECIAL JURY PRIZE FOR ACTINGCatalina Saavedra, The Maid (La Nana). Chile
A SPECIAL JURY PRIZE: U.S. DOCUMENTARYGood Hair, directed by Jeff Stilson
A SPECIAL JURY PRIZE FOR SPIRIT OF INDEPENDENCE Humpday, directed by Lynn Shelton
A SPECIAL JURY PRIZE FOR ACTING Mo'Nique, Push: Based on the novel by Sapphire
2009 JURY PRIZE IN U.S. SHORT FILMMAKING Short Term 12, directed by Destin Daniel
Cretton
INTERNATIONAL JURY PRIZE IN INTERNATIONAL SHORT FILMMAKING Lies,
directed by Jonas Odel
HONORABLE MENTIONS IN SHORT FILMMAKING The Attack of the
Robots from Nebula-5, directed by Chema Garcia Ibarra; Protect You + Me, directed by Brady Corbet; Western Spaghetti, directed by PES; Jerrycan, directed by Julius Avery; Love You More, directed by Sam Taylor-Wood, I Live in the Woods, directed by Max Winston, Omelette, directed by Nadejda Koseva; and Treevenge, directed by Jason Eisener.
Alfred P. Sloan PrizeAdam, directed by Max Mayer
Sundance/NHK International Filmmakers AwardsDiego Lerman, Ciencias Morales (Moral Sciences) from Argentina; David Riker, The Girl, from the United States; Qurata Kenji, Speed Girl from Japan; and Lucile Hadzihalilovic, Evolution from France
On the World Cinema side, Sebastian Silva’s Chilean feature “The Maid” (La Nana), a comedy-drama about class conflict within a household, took the grand jury prize, while Lone Scherfig’s British entry “An Education,” a spirited account of a 16-year-old girl’s accelerated maturation in early ’60s London, speared the audience award.
Sundance always places equal emphasis on its documentary categories, and the grand jury prize winner in the U.S. competition was Ondi Timoner’s “We Live in Public,” a revelatory look at Internet pioneer Josh Harris centered on his bizarre millennial art project in New York City. World Cinema docu grand jury prize was given to Kim Longinotto’s “Rough Aunties” from the U.K., which focuses on a group of women who look after abused and neglected children in South Africa.
Audience award for an American documentary was voted to Louie Psihoyos’ “The Cove,” a trenchant expose of upsetting developments in waters devoted to dolphins in Japan. World Cinema docu audience choice was Havana Marking’s “Afghan Star” from Afghanistan and the U.K., which looks at four contestants on an “American Idol”-style musical TV show in a country where participation in such a program, especially for women, is a life-threatening proposition. Marking also won the directing award for an international documentary.
Copping the directing award for an American dramatic film was Cary Joji Fukunaga for “Sin nombre,” which follows Central American immigrants as they make their way through Mexico. Adriano Goldman was singled out for an excellence in cinematography award for the same film by the jury. World Cinema cinematography honors went to John De Borman for “An Education.”
World Cinema directing nod was made to Oliver Hirschbiegel for his study of Irish conflict, “Five Minutes of Heaven,” for which Guy Hibbert was singled out for the screenwriting award.
Directing award for U.S. documentaries was bestowed on Natalia Almada for “El General,” about her controversial great-grandfather, President Plutarco Elias Calles of Mexico.
The Waldo Salt Screenwriting Award, given to the writer of an American dramatic feature, went to Nicholas Jasenovec and Charlyne Yi for “Paper Heart,” the story of the disbelieving Yi’s search for the true nature of love.
Documentary cinematography awards were extended, on the American side, to Bob Richman for “The September Issue,” R.J. Cutler’s account of the preparation of the 2007 issue of Vogue magazine, and, for an international docu, to director-lenser John Maringouin for “Big River Man,” about a Slovenian man’s endurance swim of the Amazon.
Editing awards for documentaries went, for a U.S. title, to Karen Schmeer for “Sergio,” about the Brazilian United Nations High Commissioner for Human Rights who was killed in Iraq, and, for a World Cinema entry, to Janus Billeskov Jansen and Thomas Papapetros for “Burma VJ,” about Burmese journalists who covertly shot and sent out footage of the 2007 protests.
The American competition jurors awarded three special jury prizes: for spirit of independence to Lynn Shelton’s “Humpday,” about two straight guys who decide to appear in a porn video together; for acting to Mo’Nique for her performance as the abusive mother in “Push”; and on the documentary side to director Jeff Stilson’s “Good Hair,” in which Chris Rock sizes up black hairstyles.
Three special jury prizes were also voted in the World Cinema competition: one for originality to Benoit Delepine and Gustave de Kervern’s French film “Louise-Michel,” about female factory workers who hire a hit man to kill the executve who ordered the plant’s closing; an acting prize to Catalina Saavedra for “The Maid,” and one to Ngawang Choephel’s “Tibet in Song,” about Tibetans’ effort to preserve their culture through music.
Presented on Saturday night at the Racquet Club, the awards were determined by four juries. U.S. dramatic competition jurors were Virginia Madsen, Scott McGehee, Maud Nadler, Mike White and Boaz Yakin, wile U.S. documentaries were judged by Patrick Creadon, Carl Deal, Andrea Meditch, Sam Pollard and Marina Zenovich.
World Cinema dramatic competition jurors were Colin Brown, Christine Jeffs and Vibeke Windelov, while serving on the docu side were Gillian Armstrong, Thom Powers and Hubert Sauper.
Jury prize for U.S. short went to Destin Daniel Cretton’s “Short Term 12.” International jury prize for shorts was won by Jonas Odell’s “Lies.”
Honorable mentions for shorts were given to Chema Garcia Ibarra’s “The attack of the robots from Nebula-5,” Brady Corbet’s “Protect You + Me,” PES’s “Western Spaghetti,” Julius Avery’s “Jerrycan,” Sam Taylor-Wood’s “Love You More,” Max Winston’s “I Live in the Woods,” Nadejda Koseva’s “Omelette” and Jason Eisener’s “Treevenge.”
Max Mayer’s U.S. dramatic competition entry “Adam” won the annual Alfred P. Sloan Prize, a $20,000 award for a film focusing on science or technology as a theme.
The previously announced 2009 Sundance Institute/NHK Intl. Filmmakers Awards, given to one filmmaker apiece from the United States, Japan, Europe and Latin American, were given at the ceremony to Diego Lerman, “Ciencias Morales” (Moral Sciences) from Argentina; David Riker, “The Girl,” from the U.S.; Qurata Kenji, “Speed Girl,” from Japan, and Lucile Hadzihalilovic, “Evolution,” from France.
Jane Lynch hosted the awards ceremony. Joseph Gordon-Levitt announced the U.S. audience awards, while Benjamin Bratt did the honors for the World Cinema favorites.
2009 Sundance Film Festival Award Winners:
GRAND JURY PRIZE: U.S. DOCUMENTARY We Live in Public, directed by Ondi Timoner
GRAND JURY PRIZE: U.S. DRAMATICPush: Based on the novel by Sapphire, directed by Lee Daniels and written by Damien Paul
WORLD CINEMA JURY PRIZE: DOCUMENTARY Rough Aunties, directed by Kim
Longinotto
WORLD CINEMA JURY PRIZE: DRAMATICThe Maid (La Nana), directed by Sebastián Silva
AUDIENCE AWARD presented by Honda: U.S. DOCUMENTARYThe Cove, directed by Louie Psihoyos
AUDIENCE AWARD presented by Honda: U.S. DRAMATIC Push: Based on the novel by
Sapphire, directed by Lee Daniels and written by Damien Paul
THE WORLD CINEMA AUDIENCE AWARD: DOCUMENTARYAfghan Star, directed by Havana Marking
THE WORLD CINEMA AUDIENCE AWARD: DRAMATIC An Education, directed by Lone Scherfig from a screenplay by Nick Hornby
DIRECTING AWARD: U.S. DOCUMENTARYEl General director Natalia Almada
DIRECTING AWARD: U.S. DRAMATIC Sin Nombre, written and directed by Cary Joji Fukunaga
THE WORLD CINEMA DIRECTING AWARD: DOCUMENTARYAfghan Star, directed by Havana Marking
WORLD CINEMA DIRECTING AWARD: DRAMATIC Five Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert
WALDO SALT SCREENWRITING AWARDNicholas Jasenovec and Charlyne Yi for Paper Heart
WORLD CINEMA SCREENWRITING AWARDFive Minutes of Heaven, directed by Oliver Hirschbiegel from a screenplay by Guy Hibbert
U.S. DOCUMENTARY EDITING AWARDSergio. Directed by Greg Barker and edited by Karen Schmeer
WORLD CINEMA DOCUMENTARY EDITING AWARD Burma VJ. Directed by Anders Østergaard and edited by Janus Billeskov Jansen and Thomas Papapetros
EXCELLENCE IN CINEMATOGRAPHY AWARD: U.S. DOCUMENTARYThe September Issue, Cinematographer: Bob Richman
EXCELLENCE IN CINEMATOGRAPHY AWARD: U.S. DRAMATIC Sin Nombre, Cinematographer: Adriano Goldman.
WORLD CINEMA CINEMATOGRAPHY AWARD: DOCUMENTARY Big River Man, Cinematographer: John Maringouin
WORLD CINEMA CINEMATOGRAPHY AWARD: DRAMATIC An Education, Cinematographer: John De Borman.
A WORLD CINEMA SPECIAL JURY PRIZE FOR ORIGINALITYLouise-Michel, directed by Benoit Delépine and Gustave de Kervern
A WORLD CINEMA SPECIAL JURY PRIZE: DOCUMENTARYTibet in Song directed by Ngawang Choephel
A WORLD CINEMA SPECIAL JURY PRIZE FOR ACTINGCatalina Saavedra, The Maid (La Nana). Chile
A SPECIAL JURY PRIZE: U.S. DOCUMENTARYGood Hair, directed by Jeff Stilson
A SPECIAL JURY PRIZE FOR SPIRIT OF INDEPENDENCE Humpday, directed by Lynn Shelton
A SPECIAL JURY PRIZE FOR ACTING Mo'Nique, Push: Based on the novel by Sapphire
2009 JURY PRIZE IN U.S. SHORT FILMMAKING Short Term 12, directed by Destin Daniel
Cretton
INTERNATIONAL JURY PRIZE IN INTERNATIONAL SHORT FILMMAKING Lies,
directed by Jonas Odel
HONORABLE MENTIONS IN SHORT FILMMAKING The Attack of the
Robots from Nebula-5, directed by Chema Garcia Ibarra; Protect You + Me, directed by Brady Corbet; Western Spaghetti, directed by PES; Jerrycan, directed by Julius Avery; Love You More, directed by Sam Taylor-Wood, I Live in the Woods, directed by Max Winston, Omelette, directed by Nadejda Koseva; and Treevenge, directed by Jason Eisener.
Alfred P. Sloan PrizeAdam, directed by Max Mayer
Sundance/NHK International Filmmakers AwardsDiego Lerman, Ciencias Morales (Moral Sciences) from Argentina; David Riker, The Girl, from the United States; Qurata Kenji, Speed Girl from Japan; and Lucile Hadzihalilovic, Evolution from France
-Make a note of these, as I'm sure we'll hear more about them in the coming months. Do any of these films grab your interest?
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